The Appeal of the Literary Leading Man

Superpower: knocking socks off.

John Thornton vs. Fitzwilliam Darcy. Superpower: knocking socks off.

Swept off your literary feet lately? If you have, then you’re preaching to the choir.

I can’t even begin to explain  the degree of vertigo I’ve experienced from being swept off my feet by characters ranging from Mr. Thornton (North and South) to Amon Bryne (Seven Realms Series), and everyone in between. And by “in between” I’m talking, Ron Weasley, Percy Jackson, Gale Hawthorne, Atticus Finch, Thorin Oakenshield, Faramir, Jay Gatsby, Simon Lewis, Peter Pan, Edward Ferrars, Finnick Odair, Han Alistair and Robb Stark. And that’s just the shortlist.

There’s a certain appeal of reading characters that are so insurmountably different from each other, but pluck at the same heartstrings. But my question is: how!? How do they do it? There must be some shared and inherent characteristic about these fellows that leaves them so appealing on the pages.

The search for that common denominator is on! But before this scavenger hunt begins, let’s outline how a leading man differs from their other run-of-the-mill XY-chromosome counterparts.

Definition: Fictional leading man [ˈliːdɪŋ] (noun): A character, imaginary, who contributes to the development of the plot through a combination of symbolic gestures, swoon-worthy one-liners and a penchant for arriving in the nick of time. Must be relatively endearing using one or more of humor, sarcasm or punctuality. A humble disposition never hurt either.

That’s not asking for too much. A leading man who can brood, but sarcastically. Who can ramble, but endearingly. Check your realistic expectations at the door, because we don’t need any Debbie Downers raining on our bibliophilic parade.

So, here’s a list of my top 8 Fictional Leading Men, and the characteristics that make them so appealing. The aim – to find that one thing that threads them all together.

8.  Jon Snow (Game of Thrones, George R.R. Martin)

  • – The Outcast 
  • – Independent and clever, despite having been placed second to his brother Robb his entire life.
  • – Loyal, but a little naive. It’s his tragic flaw.
  • – Introverted and honest. It’s nice to see a character who isn’t arrogant to the moon and back.
  • – He is challenged since infancy with not knowing who his mother is, and never belonging with the Starks. Growing up without a proper family and still turning out decently sane definitely deserves some accolades.


7. Noah Calhoun (The Notebook, Nicholas Sparks)

  • – The Patient One
  • – Has an endearing, quiet resolve.
  • – His goals are aimed high, he expects the stars and isn’t afraid of pursuing them even if failure is a risk
  • – Likes to live simply and slowly; appreciates little details
  • – Patience is his biggest virtue: with Allie, his friends and the house he builds.


6. Gale Hawthorne (Hunger Games, Susanne Collins)

  • – The Anti-Hero. 
  • – He is the anti-hero to Peeta Mellark’s blonde-haired glory. But, he put’s his feelings for Katniss aside and still treats Peeta with respect.
  • – Overlooked by others but tries to contribute to the cause of overthrowing the Capital the best he can.
  • – He isn’t anyone’s beacon or hero, despite working tirelessly with District 13 and the survivors of District 12, and he isn’t Katniss’ first pick when she must choose between him or Peeta. But, the ambition that Gale has when fighting the Capitol and his take-no-prisoners approach to solving the problem is a tribute to his quiet but threatening personality!


5.  Theodore Laurence aka “Laurie” (Little Women, Louisa May Alcott)

  • – The Confidante 
  • – Growing up amidst a group of girls can’t be a easy undertaking for any man, but Laurie is just so damn endearing.
  • – Crooked smile, penchant for adventure, love for books and learning – I don’t even know him and I still feel like I could tell him everything.


4. Amon Byrne (The Seven Realms Series, Cinda Williams Chima)

  • – The Moral One 
  • – Amon’s sturdy stoicism is one of my favorite qualities about him. He sacrifices a lot, emotionally throughout the duration of the series but his loyalty is evident. He is Raisa’s moral compass and protector, and although they don’t end up together its admirable that he places their friendship above any petty feelings he may otherwise have.


3. Tobias “Four” Eaton (Divergent, Veronica Roth)

  • – The Complicated One
  • – Tobias is layer upon layer of soft and rough edges, and that’s probably why he’s garnered such a large fan following.
  • – He risks a lot to protect Tris – deleting her simulation results, going in after Tris when he doesn’t agree with some of the choices she’s made. And let’s not forget how he beat up Drew so badly that his face resembled mashed potato, after Drew, Peter and Al attacked Tris.
  • – He’s brave, despite his fears.
  • – He can jump in and out of moving trains at will.


2. Atticus Finch (To Kill a Mockingbird, Harper Lee)

  • – The Mature One
  • – He takes the moral high ground, raises his children with dignity and is so well-spoken that it could make anyone weak in the knees.
  • -Believes in equality and justice during a very corrupt period in time.
  • – The hair – immaculate.


1. John Thornton (North and South, Elisabeth Gaskell)

  • – The Equal
  • – He treats Margaret like she’s completely his equal – whether it’s during their fights or their business talks. More relatable than any typical romance is a relationship that demonstrates that two people can be hot-headed and still respectful of each other.
  • – Thornton is the refined Mr.Darcy, in my opinion.
  • – Richard Armitage plays him in the BBC version – just let that sink in.


It’s the common thread of independence in character that connects the fictional leading men into this list. I still can’t narrow it down to one specific quality that leads to the instant appeal of a literary leading man, and my preferences change with every book I read – so all I can say is that I’m looking forward to expanding this list and making my real life expectations for a leading man skyrocket exponentially.


Pseudo-savvy: Blindfolded to brand-names.

The “brand-savvy”  are very conscious of the image they exude – it’s in the job description I believe, to be hyper-aware of how you measure up against the people around you (and to let the people around you know that you’re measuring).

I travelled to New York City recently, and on the stereotypical city tour the guides took us down to Broadway and SoHo and pointed out glamour-hyped stores that we should supposedly be dying to shop in.

“And ladies, this store’s for you! Five floors of shoes – Chanel, Loubouttin, Prada – go crazy in there!” They said.

I’m pretty sure that they knew most of us (themselves included) couldn’t afford to loiter outside one of those establishments, let alone purchase from them – but, oh man, did they talk about those places as if they were regulars. As if they had the cash lying around to casually purchase a $200 scarf and still have leftovers for some Starbucks. As if.

I might not have gone into the actual stores, but I saw in through the windows and that was good enough to give me scope to draw judgement about how much we hype up brands and brand-names.The people in the $200-scarf store still were dragging around whining children, trying to squeeze into pants that were too small and instagramming pictures of cute blouses on mannequins. But, by the way the people outside the store were ogling them you’d think they each came out having purchased an extra year of life, instead of just a shirt.

What chafes my nerves more is the adoration that these over-priced, under-valued objects get. It’s not education or health you’re paying a small fortune for ladies and gents, it’s a handbag. Congratulations. If, for every time a brand-name was admired, an educated person got accolades as well, the world would be absurdly different. I’d go as far as to to say it would be unrecognizable. Perhaps even better.

Moral of the story:

Dress well, live large, eat luxuriously – but don’t be fooled into thinking that you can only do it if brands are attached to everything you own – or, that other people are doing it better than you are because of the brands they own. Call me “pseudo-savvy”, but at the end of the day, the cucumber sold in a $15 salad appetizer from Chez-whatever is the same as the cucumber in my bagel from Tim Hortons.

What impresses me most is resourcefulness and intelligence. I wonder if Nike makes them in my size.

Downton Abbey: Top 10 Trademarks.

The wait for Downton Abbey’s third season is taking its toll on my patience. Ever since Hugh Bonneville’s amazing “Free Bates” t-shirt stunt on the PBS stage and the whopping 16 Emmy nominations, I’ve been scouring the interweb for any tidbits of info about season three. Unfortunately for my insatiable curiosity, it turns out that everyone’s taking this secrecy thing prett-ay seriously.

So, what do we know? After some serious investigative gossip-scrounging I have uncovered the following scraps of information:


Grantham admits to Cora that the family wealth has been lost. The troubles of Ireland are said to be a major plotline, spearheaded by the rebellious Tom Branson. Mary and Matthew marry, but their angst-ridden relationship continues. Edith is also set to be married, but very few details on that. And finally, a verbal sparring partner for Dowager Countess Violet arrives in the form of Cora’s quick-witted mother, Martha, played by Shirley McLean.

Not much to go on. I need a promo trailer, stat!


So, while we kill time till the season premiere, why not review a few iconic trademarks of the show we’ve grown to love and cherish from seasons past?

And, here we go, the top 10 Downton Abbey trademarks:

10. O’Brien’s afro-bangs – The Downton Abbey equivalent of Professor Quirrel’s turban. Beware: evil lurks within.

9. Mary Crawley’s, “Oh, Granny.” and accompanying eyeroll – Because exasperation must be both seen and heard.

8. Cora’s pronunciation of, “Robert” (Raw-bhURt) and “Carson” (CAHR-sun) – Because nothing says “American accent” like butchering vowel pronunciation.

7. Branson’s trousers – unfortunately, Mr.Branson’s old uniform is gone for good next season!

6. Extremely furtive glances – Never use words when twenty glances in eight random directions will do – especially when things are angst-ridden!

5. Carson’s eyebrows – Currently they’re negotiating for their own salary and contract. Man, are those things expressive!

4. Daisy’s perpetual confusion – She’s always torn between one thing or another – a true heroine!

3. Matthew Crawley’s jawline-less beauty – I am such a fan.

2. The “Thomas” pout – Maybe he’s born with it …

1.Violet’s spunky one-liners. My personal favourite:

Carlisle: I’ll be leaving in the morning, Lady Grantham. I doubt we shall meet again.

Violet: Do you promise?

And if those good ol’ memories weren’t enough to satiate your Downton craving, Jimmy Fallon’s Downton Sixbey should preoccupy you for a long while. The plot is remarkably similar (despite a few key nuances); the show follows the inner workings of the upstairs-downstairs folk involved in a well-known Late Night Talkshow family. Plenty of drama ensues, with a familiar cast of characters – take a look:

Any other iconic and note-worthy moments, trademarks or one-liners?

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